Reclarkgable

3245

Photography

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Spain

Untitled

Mark Maggiori

2319

Painting, Photography

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Derby Babes

Derby babes

What if jesus really lived with you ?

Maryanne Casasanta

2620

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Canada

Age of a new spirit

Bradley Pitts

5716

Installation, Performance

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Netherlands, United States

What does it mean to listen to someone else’s ears? Can two people experience the same space at the same time? I want to slip between your ears and allow you to slip between mine. Body Flux Performance/Installation Body, Environment, Food, Plastic, Audio Recording, Video Recording, Hair, Nails, Urine/Feces, Sweat, Breath What is the body? How does it act as a volume of flux? Inputs: air, food, drink, information (light, sound, smell, touch, taste, etc.), etc. Outputs: breath, sweat, urine, feces, information, hairs, nails, skin, etc. Donning the Void Performance/Device Vacuum, Polycarbonate, Body, Fabric The Vacuum Cuff allows the wearer to wrap themselves in vacuum as they move through their day, bringing empty space to the realm of the everyday/commonplace.

Gwenaël Bélanger

3058

Photography

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Canada

Le grand fatra

chutes

Poursuivre le Hors champ

Shadi Ghadirian

2095

Photography

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Iran

Untitled from the Like Everyday Series

Josephine Meckseper

2920

Installation

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Germany

The Complete History of Postcontemporary Art I

Keren Cytter

2492

Video

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Israeli

Somewhere between cinema-vérité and sitcom, home movie and reality TV, filmed performance and auteur film, Keren Cytter offers us a succession of scenes where reality seems to be constantly at loggerheads with fiction. From the angle of this conflict – a conflict which thus representers others – everything is fair game, and each one of the parameters inherent to the execution of these works – from scenario and script to editing, by way of the filming itself and the actors’ performances – is entirely devised and introduced in a logic of tension, matched only by the heightening of the feelings at issue. (…) For her show at Le Plateau, Kerem Cytter juggles with the architecture of the place like a logical extension of what the structure of her films represents: loop and repetition effects are combined with duplications of spaces and artificial symmetries.

Stéphane Bérard

1401

Installation

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Homme et femme, charentaises, laines, mannequins Co production Cairn & Frac paca 2003, domaine de Pommery 2005

Dalibor Martinis

2164

Installation

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Croatia

The work is site specific, the content and the medium are created taking into account the specific spatial and social context of Rosenheim. Binary code of the message was “written” by parking new, black and silver cars (VW Golfs) into the approx. 100 m long row along the main city square. Drivers one after the other drove the cars into the square so, that something which at the beginning looked as two or three wrongly parked cars grew into the huge parking lot. The cars of two different colours were arranged so that finally the text of a coded message was written along the square. Although probably no one of the passers-by could read it the message attracted great, if not always positive, interest. The whole action-performance of parking cars has been documented on video. (*VHS video) On January 2, 2004 Dalibor Martinis put a sum of money equivalent to 365 shares into the ZB Trend Investment Fund. Since on this day the price of one share in the ZB Trend was 102.22 euros, the amount invested equals 37,310.3 euros. The money was invested with an investment term of one year, i.e., 365 days, and constitutes the funds of the […]

Greg Stimac

3212

Photography

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United States

Mowing the Lawn. Chandler, Arizona, 2006

Mowing the Lawn. Oak Lawn, Illinois, 2006

Mowing the Lawn. Carsbad, New Mexico, 2006

Michael Johansson

3650

Installation

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Sweden

Pack Daddy's Suitcases, 2006

Wind of Change, 2004

That's Low, 2002

Josef Schulz

4178

Mixed media, Photography

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Germany

Sign out

Baptiste Debombourg

4394

Installation, Sculpture

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France

Polybric

Gloria Chung

3205

Photography

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United States

November

Luis Vidal

4123

Installation

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Spain

Lina Scheynius

3547

Photography

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Sweden

Rainer Gamsjäger

3320

Video

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Austria

A slow pan along a forest that breaks off at a small terrace in the foreground of the picture: Slender conifers stretch upwards over cut and fallen trunks, dead branches and roots, churned soil and dry grass, and parade past one another, structuring the space to impenetrable depths. The apparent naturalism does not hold up for long. Something is not quite right with this picture, this movement. In the background the trunks begin to stretch out horizontally. Has the image been digitally altered? Have artificial effects been applied to the idyllic scene? Not at all. Instead, the image as a whole turns out to be artificial, its realism the result of elaborate reconstruction. TRIFTER 1 strains at the synapses. Training for the digital. (Thomas Korschil)