Natures revenge By Ludo

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Ed Emshwiller


Ed Emshwiller – Thanatopsis
envoyé par MisterNatural. – Court métrage, documentaire et bande annonce.

Marcel Broothaers

Wikipedia

Seth Armstrong

The attempted murder of Peggy Sweetwater

The attempted murder of Peggy Sweetwater

No place to be somebody

Definitely Dracula

Pavel Büchler

12-00-00 - 12-04-33, 17 October 2008

12-00-00 - 12-04-33, 17 October 2008

The Problem of God

Small Eclipse

Grant Cornett

Untitled

Untitled

Untitled

Untitled

Elmar Vestner

ohne Titel

ohne Titel

In the Heart of the Woods

ohne Titel

Ahmet Ogut

Mission Calls

Mission Calls

Mission Calls (2008-2009) is a work composed by three large drawings that appear as a short storyboard of a performative act that anyone could do. The sequence shows a common street dog transforming into a rescue-dog and it is the artist, with a seemingly absurd and surreal gesture, that grants the unsuspecting dog this role of power.

Mission Calls

Mission Calls

Carlee Fernandez

Bear Study Diptych

Bear Study Diptych

Lola Isern

Self Portrait- Portrait of my father, Manuel Fernandez

Kristina Solomoukha

Dog house

Dog house

Discoman

MIND THE GAP fountain

Jeremie Egry

Untitled

Untitled

Anomalie vraie

Thomas Bayrle

Ente

Ente

Variation Brandt

Marie Bovo

Cour intérieure

Cour intérieure

grisaille

Gehard Demetz

I have dreamed in German

I have dreamed in German

Everything he lied was true

Married to myself

Lee Grant

belco pride

belco pride

oriental dinner

sister love

Benoit Maubrey

Speakers Mailboxes

Speakers Mailboxes

Mircea Cantor

Which light kills you

Which light kills you

Seven Future Gifts

Tracking Happiness

David Raymond Conroy

To Have & To Have Not

To Have & To Have Not

A History of Photography

Every Girl I've Ever Loved

Chris Engman

The meeting

The meeting

transplant

The Empty House

Bruce Nauman

> Bruce Nauman on wikipedia

Bill Sullivan

Stop Down

Stop Down

Stop Down

Stop Down

(Stop Down) I developed a situation in order to manufacture group portraits of people. The scenario consisted of elevator doors opening and closing. At the moment the doors opened, unknown to the riders, I took their picture stationed at a distance of ten feet. I stood looking lost either next to a shopping cart or with my back facing the elevator doors, quietly taking frame after frame as the doors opened and closed.