Barbara DeGenevieve

The artist and her models

The artist and her models

Denise Grünstein

Figure Out

Figure Out

Dear Prudence

Malplacé

Krista Van der Niet

Toneelgroep Cargo

Toneelgroep Cargo

Vueling

Untitled

Teo Ormond-Skeaping

In the fulcrum of our dreams

In the fulcrum of our dreams

In the fulcrum of our dreams

Ian Stanton

Untitled

Untitled

The lab

one night in brooklyn

Anna Jermolaewa

Untitled (Good times, bad Times)

Untitled (Good times, bad Times)

Thomas Demand

Presidency

Presidency

Copyshop

Embassy VII

Paul Kooiker

Hunting and Fishing

Hunting and Fishing

Seminar

Hooked

Luis Gispert

LV Escalades

LV Escalades

escalades

Oh Lory lory

Rachel de Joode

A chicken taped to a keyboard make me sad

A chicken taped to a keyboard make me sad

Cancel the future

Altars

Raven Smith

The Worst Day Of My Life

The Worst Day Of My Life

Self portrait four

One Good Turn Deserves Another

Douglas Gordon

Self-portrait as Kurt Cobain, as Andy Warhol, as Myra Hindley, as Marilyn Monroe, 1996

Self-portrait as Kurt Cobain, as Andy Warhol, as Myra Hindley, as Marilyn Monroe, 1996

Mohamed Bourouissa

Untitled

Untitled

Untitled

Untitled

Indre Serpytyt

Forest Brothers

Forest Brothers

Forest Brothers

Forest Brothers

Valérie Belin

Untitled

Untitled

Untitled

Untitled

In Still Life – John Baldessari

In Still Life

In Still Life

In Still Life 2001-2010 invites you to create your own still life by arranging any or all of the 38 objects onscreen.

“When someone completes their own still life using In Still Life 2001-2010 it becomes their own artwork,” says artist John Baldessari. “It’s not mine. It’s theirs. Still lifes are about the fleeting things in life. Each object has a symbolic meaning attached to it. My interest in still lifes goes back to beginning art courses and having to endlessly paint from them. There was always a room where the instructors stored all the props. And the one prop I hated was the cow skull, which an old instructor of mine, a Georgia O’Keeffe fan, used to always trot out. But of course the typical objects are things like the guitar, the wine bottle, the loaf of bread, which are not so interesting. Even now it’s very hard for me to look at one of those typical Braque or Picasso still lifes and not want to rearrange it! I just want to make it a little more upbeat, a little more dynamic and less static. I chose Banquet Still Life (1667) for the original In Still Life because I wanted to use a typical 17th-century Dutch still life. The lobster is the most important object in the painting. I’m just anticipating everyone trying to make the lobster dance.”

Flickr : In still life’s photostream

Iveta Vaivode & Alexander Gronsky

Untitled

Untitled

Untitled

http://www.ivetavaivode.com/

http://www.alexandergronsky.com/

Ron Jude

Alpine Star

Alpine Star

The source of the photographs in Alpine Star is the weekly newspaper from the artist’s hometown in Central Idaho. The poetic element of these images—that unnamed, abstract subtext found in every photograph—is inflated here through the process of subtle manipulation and nuanced sequencing. While offering a world of loss and isolation, the pictures in Alpine Star also suggest the cross-pollination of personal history and collective memory.

Mike Ruiz

Blank is the New Blank

Blank is the New Blank

100 “__ is the new __” found phrases taken from google searches, with keywords separated before and after “is the new”. The separated keywords appear randomly in the “is the new” phrasal template, creating new mixed phrases.

Wealth of Self


Sarah Pickering

Fuel Air Explosion

Fuel Air Explosion

Napalm

Fire burst