Items
Items
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Cathedrals Cars
Self-portraits with $$$$$$
Life is a beach
During summer 2006, Thomas Mailaender invited Benoit Dutherage, twice vice-world champion of sand sculpture, to spend one week with him on a beach.
Thank pietmondriaan ;)
We Will Not Watch Any More Boring Art, We Will Not Watch Any More Boring Art, We Will Not Watch Any More Boring Art, We Will Not Watch Any More Boring Art, We Will Not Watch Any More Boring Art, We Will Not Watch Any More Boring Art, We Will Not Watch Any More Boring Art. ok john, let'go discover something different.
Items
Items
Items
Cathedrals Cars
Self-portraits with $$$$$$
Life is a beach
During summer 2006, Thomas Mailaender invited Benoit Dutherage, twice vice-world champion of sand sculpture, to spend one week with him on a beach.
Thank pietmondriaan ;)
Foetus de footbaleur adulte
Mister brocoli + fort que hulk
Attention Art Méchant
Kant
This installation consists of a five and a half minute video and ten pictures. In this video, I put myself into the skin of a vague coarse rapper who unfurls over the name of the great German philosopher a string of thoroughly out-of-place insults in French and English (out-of-place, that is, in the philosophical debate). This crazy displacement is the comic mainspring of the video. The pictures play on a different chord: they borrow images coming from the video, in the upper half, and words of German
vocabulary in the lower. The link is the same as in Masse sur comptable. The upper images are focused on the red shoes of the phoney rapper. The blur of the moving image is rendered by keeping the texture of the video image and the aerial character of the shots. The letters detached from the wording in the bottom part have the weight of things that cannot be counted.
They refer to the absurdity of the insults associated with the name of a philosopher.
How to draw a square – E. Duyckaerts
envoyé par leoscheer_tv. – Films courts et animations.
A mini video-lecture. Great to speak an English which has an accent vaguely identified as hailing from Central Europe or India. (The piece was designed for an invitation to the Tate Gallery in London). The video is projected on to a large paper-board, and the demonstration is declined on an identical paper-board. Plenty of ways of drawing a square, doubtless. These ways are so spontaneous for us–here I’m thinking of quick sketches rather than Descartes–that they remain unanalysed. They also remain unanalysed in my video, but are enhanced by an approach to the way of drawing a square by computer. In the quick sketch, the body has to find a way of mimicking its object; with the computer, on the other hand, the body just has to make a diagonal movement with the mouse. A movement that does not mimic anything of its object. This movement is supposedly the same for drawing a rectangle, a circle, an ellipse. Does the practice of the computer for drawing shapes like the ones I’ve just mentioned change something in our brain? I don’t have a clue and, what’s more, I don’t give a damn. The important thing is to make what is obvious at once funny and problematic.
La barre de Sheffer – E. Duyckaerts
envoyé par leoscheer_tv. – Regardez plus de courts métrages.
Our dream is to transform an old Parisian dance hall, just minutes from Place de Clichy, into a venue for the documentary image (photography, video and film).
A place to present, compare and examine the many possible ways of addressing reality.
A place to question the issues involved in documentary creation; issues that span aesthetics and politics.
A place to debate the conditions in which documentary images are produced, published and seen.
A place to think about what a “document” really is: part investigation, part experience, part recording and part creation.
A place to explore new visual forms that can convey reality in all its complexity.”
RAYMOND DEPARDON AND DIANE DUFOUR
The opening of LE BAL is the 18th September, 2010.
Opening weekend: 18th and 19th September, (10am – 8pm)
6 Impasse de la Défense, Paris, 18th arrondisement
Untitled (Hosts)
Untitled (Hosts)
Untitled (Hosts)
Untitled (Hosts)
1996
Structure d’accueil pour deux chèvres
Performance
Les chèvres ont vécu trois mois dans la sculpture. L’artiste a organisé des visites de Los Angeles et des environs (Malibu, le parc national de Joshua Tree, différents quartiers de Los Angeles, etc.) pour les deux animaux. L’idée était d’accueilir un élément incontrôlable au sein d’une oeuvre d’art et le choix s’est porté sur les chèvres, animaux à psychologie singulière, qui cherchent toujours à surplomber leur environnement et à s’échapper.
Art. 432-3
Art. 432-3 contient 365 véritables virus distincts à envoyer ou à installer pour tous les jours de l’année.
/ Like a calendar, the CD contains data with 365 viruses to send each day of the year.