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Alessandro Ludovico and Paolo Cirio

Stealing 1 million Facebook profiles, filtering them with face-recognition software, and then, posting them on a custom-made dating website, sorted by their facial expressions characteristics. Website
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Chaz Evans

Anthropometries for Quake 4 (After Yves Klein) from Chaz Evans on Vimeo. Evans Dances Baldessari Sings Lewitt (demo) from Chaz Evans on Vimeo.
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Benjamin Gaulon

RandomMe™ Demo from recyclism on Vimeo. RandomMe demo 3 from recyclism on Vimeo. Recyclism.com
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Tatiana Grigorenko

tatiana grigorenko’s ‘the disappeared’ project. “an anti-portrait of a missing protagonist. inspired by soviet-era images that were manipulated to make individuals ‘disappear’ from history. the project is an exploration of memory, presence, invisibility and historical revision. blowing up my family’s snapshots to the point that their grain structure started to fall apart, i meticulously removed myself from each image using collage and/or paint.
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David Letellier, and LAb[au]

TESSEL . Kinetic Sound Installation by David Letellier + Lab(au) from kangding ray on Vimeo.
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Michael Wolf

paris street view

paris street view

paris street view

paris street view

paris street view

paris street view

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Lossless challenges

Lossless challenges the representational nature of photography by re-ordering the digital photograph, using Processing and a custom QuickSort algorithm. The majority of photographs are now stored as pixels, where each pixel is a representation of specific values of color, brightness, saturation, etc. Our works are re-ordered and removed from their previous context while still being an accurate representation of every single pixel in the original image. This process allows the image to function as a unique object and set of information rather than an object devoid of its own context. In this process, the image now functions conceptually as a collection of visualized data rather than a mechanical/digital reproduction of reality. The action of re-organizing the photograph makes tangible the traditionally transparent functioning of the medium. You may submit an image for sorting to the following email address: lossless.processing@gmail.com When submitting an image, you agree that the image may be used for exhibition or sale. Jordan Tate + Adam Tindale
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Cedric Delsaux

Post dedicated to yodablog
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Constant Dullaart

Default business card domain name acquired
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In Still Life – John Baldessari

In Still Life 2001-2010 invites you to create your own still life by arranging any or all of the 38 objects onscreen. “When someone completes their own still life using In Still Life 2001-2010 it becomes their own artwork,” says artist John Baldessari. “It’s not mine. It’s theirs. Still lifes are about the fleeting things in life. Each object has a symbolic meaning attached to it. My interest in still lifes goes back to beginning art courses and having to endlessly paint from them. There was always a room where the instructors stored all the props. And the one prop I hated was the cow skull, which an old instructor of mine, a Georgia O’Keeffe fan, used to always trot out. But of course the typical objects are things like the guitar, the wine bottle, the loaf of bread, which are not so interesting. Even now it’s very hard for me to look at one of those typical Braque or Picasso still lifes and not want to rearrange it! I just want to make it a little more upbeat, a little more dynamic and less static. I chose Banquet Still Life (1667) for the original In Still Life because I […]
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Eva and Franco Mattes

No Fun – Eva and Franco Mattes from Franco Mattes on Vimeo. Website: http://0100101110101101.org/
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Steve Or Steven Read

Ongoing series of collected photographs from eBay.com depicting televisions for sale. To market the sets, the eBay sellers also used found images. In particular I enjoy the complex interactions of the 2-dimensional screen image, its display device as a 3-dimensional product/subject, a 4th dimensional surrounding environment, your computer browser screen (the 5th dimension), and so on.
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Alastair T. Willey

Inner Circle, Part 1/3 from Alastair T. Willey on Vimeo.
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Michael Guidetti

> Conversion here > Michael Guidetti website
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Joel Holmberg

woman eating grapes google image search

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Robin Hewlett & Ben Kinsley

Street With A View introduces fiction, both subtle and spectacular, into the doppelganger world of Google Street View. On May 3rd 2008, artists Robin Hewlett and Ben Kinsley invited the Google Inc. Street View team and residents of Pittsburgh’s Northside to collaborate on a series of tableaux along Sampsonia Way. Neighbors, and other participants from around the city, staged scenes ranging from a parade and a marathon, to a garage band practice, a seventeenth century sword fight, a heroic rescue and much more… Agrandir le plan Project website
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